% CVPR 2025 Paper Template; see https://github.com/cvpr-org/author-kit

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%%%%%%%%% PAPER TYPE  - PLEASE UPDATE FOR FINAL VERSION
% \usepackage{cvpr}              % To produce the CAMERA-READY version
\usepackage[pagenumbers]{cvpr}      % To produce the REVIEW version
% \usepackage[pagenumbers]{cvpr} % To force page numbers, e.g. for an arXiv version

% Import additional packages in the preamble file, before hyperref
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% It is strongly recommended to use hyperref, especially for the review version.
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%%%%%%%%% PAPER ID  - PLEASE UPDATE
\def\paperID{30} % *** Enter the Paper ID here
\def\confName{CVPR}
\def\confYear{2025}

%%%%%%%%% TITLE - PLEASE UPDATE
\title{Training-Free Style and Content Transfer by Leveraging U-Net Skip Connections in Stable Diffusion}

%%%%%%%%% AUTHORS - PLEASE UPDATE
%\author{First Author\\
%Institution1\\
%Institution1 address\\
%{\tt\small firstauthor@i1.org}
% For a paper whose authors are all at the same institution,
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%Second Author\\
%Institution2\\
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%{\tt\small secondauthor@i2.org}
%}

\author{Ludovica Schaerf \\
Max Planck Society \& University of Zurich\\
Zurich, Switzerland\\
{\tt\small ludovica.schaerf@uzh.ch}
% For a paper whose authors are all at the same institution,
% omit the following lines up until the closing ``}''.
% Additional authors and addresses can be added with ``\and'',
% just like the second author.
% To save space, use either the email address or home page, not both
\and
Andrea Alfarano\\
Max Planck Society \& University of Zurich\\
Zurich, Switzerland\\
{\tt\small andrea.alfarano@uzh.ch}
\and
Fabrizio Silvestri\\
Sapienza University of Rome\\
Rome, Italy\\
{\tt\small fsilvestri@diag.uniroma1.it}
\and
Leonardo Impett\\
University of Cambridge\\
Cambridge, United Kingdom\\
{\tt\small li222@cam.ac.uk}
}

\begin{document}
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\begin{center}
    \centering
    \captionsetup{type=figure}
    \includegraphics[width=\textwidth]{sec/figures/Figures_for_disentanglement_paper_21.png}
    \captionof{figure}{SkipInject: our method uses the l=4 and l=5 skip connections of Stable Diffusion to obtain flexible content and style transformations. From a painted “content image” of a bird, the model smoothly modifies the subject to resemble various species (e.g., sparrow, eagle) while retaining the overall scene. A generated image of foxes is transformed into “three white robots” and “three wolves in the snow,”, with coherent and realistic alterations. Furthermore, the styles of the two content images are altered holistically, in aesthetics, subjects, and settings.}
    \label{first_picture}
\end{center}
}]


\input{sec/0_abstract}    


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% WARNING: do not forget to delete the supplementary pages from your submission 
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