The movie director kept promising all along that "every movement was organic," meaning his films always meant something beyond action or gunfire. On one level, this seemed fine — especially given what kind of enthusiasm everyone seems to have for thrillers these days — but it just meant he wasn't developing much excitement beyond imagination and fervor. When new possibilities surface on film (think Blade Runner 2049), audiences love excitement over clarity; when unfamiliar possibilities arise (think Alien: Covenant), excitement wins out over clarity. What happened