# Sonifications from our ICLR 2022 submission Paper 1517

All rights reserved by authors of Paper 1517.

## Directory structure

There are two subfolders for contrastive and supervised models, with the following structure

supervised
    | layer_01
        | input_14.bmp
        | input_14.npy
        | input_14.wav
        | output_14.bmp
        | output_14.npy
        | output_14.wav
        .
        .
        .
        .
        .
    | layer_02
    | layer_03
    .
    .
    .
    | layer_11

Here input_* are files from input audio signal and output_* are corresponding sonification files


## Noteworthy Sonifications

Select sonifications as mentioned in the paper are as follows:

### Contrastive

contrastive
    | layer_08
        | input_15.* and output_15.* -> remove "thumps" and emphasize music in EDM track
        | input_36.* and output_36.* -> suppressing string instruments and emphasizing vocals in folk music
    | layer_11
        | input_163.* and output_163.* -> keeping just the beats from trap music
        | input_233.* and output_233.* -> removes music and emphasis on rap lyrics

### Supervised

supervised
    | layer_05
        | input_157.* and output_157.* -> Dentist's Drill
    | layer_06
        | input_88.* and output_88.* -> Bee/Fly buzzing
