A perceptual approach to film editing. (Attention visuelle et cinématographie)

Alexandre Bruckert

Abstract: When watching movies, we do not grasp the full image that is displayed at all time. Instead, we focus on several parts of the frame, depending on what we deem relevant, be it for the visual properties of this area or its semantic importance in the narration. With more than a century of cinematographic experience, filmmakers have developed a whole array of tools and techniques to direct the attention of their audience, using cuts, camera motion, staging, and so on. In this work, we propose to explore the links between film editing and the visual perception an audience has of it, using a data-driven approach. While there exists a lot of efficient models predicting where people will look on a video, we found that these models could often be wrong on cinematographic stimuli. We then propose a visual saliency model dedicated to include the high-level information created by the director's editing choices, and we show a significant improvement on cinematic stimuli compared to the state-of-the-art. Finally, we propose two models dedicated to predict the inter-observer visual congruency on both static and dynamic stimuli, with particular care to the case of cinematographic stimuli.