Enhancing Dynamic Point Clouds in the Wild: A Grand Challenge on Real-World 4D Volumetric Data

Published: 03 Apr 2026, Last Modified: 03 Apr 2026ACMMM2026-MGC-ProposalEveryoneRevisionsCC BY 4.0
Keywords: point cloud enhancement, real world capture, dynamic point cloud
TL;DR: This Grand Challenge introduces an in-the-wild benchmark for dynamic colored point cloud enhancement with paired low-quality captures and high-quality ground truth, targeting denoising, completion, upsampling, and temporal consistency.
Abstract: Dynamic point clouds captured in real-world environments are fun- damental to immersive multimedia applications such as volumetric video, XR telepresence, and digital twins. However, point clouds ac- quired by consumer-grade sensors suffer from severe degradations, including noise, sparsity, missing geometry, temporal instability, and color artifacts, which significantly limit downstream reconstruction, rendering, and compression. Existing point cloud enhancement meth- ods are predominantly evaluated on synthetic benchmarks and static scenes, leaving a critical gap in systematic evaluation for real-world, dynamic (4D), and color point clouds. This Grand Challenge intro- duces the first in-the-wild benchmark for dynamic point cloud en- hancement based on the UVG-CWI-DQPC dataset, which provides paired low-quality consumer-grade captures and high-fidelity multi- sensor ground truth across diverse dynamic human-centric sequences. The challenge targets unified enhancement of denoising, completion, and upsampling, while explicitly accounting for temporal consistency and color fidelity. Participants are evaluated using a comprehensive protocol combining geometric accuracy, perceptual quality, tempo- ral stability, and computational efficiency, with the top submissions further assessed via controlled subjective studies. This challenge aims to foster realistic algorithm design, fair comparison, and accel- erated progress toward practical deployment of dynamic point cloud enhancement in multimedia systems.
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Submission Number: 5
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